What style of jazz was popular in the 80s?

What style of jazz was popular in the 80s?

In the early 1980s, a commercial form of jazz fusion called pop fusion or “smooth jazz” became successful and garnered significant radio airplay.

Which smooth jazz artist is one of the most commercially successful musicians of all time?

Kenneth Bruce Gorelick (born June 5, 1956) is an American smooth jazz saxophonist. His 1986 album Duotones brought him commercial success. Kenny G is one of the best-selling artists of all time, with global sales totaling more than 75 million records.

When did cool jazz become popular?

Cool jazz, a style of jazz that emerged in the United States during the late 1940s. The term cool derives from what journalists perceived as an understated or subdued feeling in the music of Miles Davis, the Modern Jazz Quartet, Gerry Mulligan, Lennie Tristano, and others.

Who are the best smooth jazz artists of all time?

So, who are the best smooth jazz artists of all time? Any list of smooth jazz musicians has to include names like Anita Baker, Dave Koz, Chris Botti, Al Jarreau and Norah Jones. These smooth jazz artists are among the most well known names in the genre and with good reason. Their smooth songs, accomplishments, and awards speak for themselves.

What kind of music is called contemporary jazz?

While those years were certainly not devoid of complex, cerebral jazz recordings, music referred to as contemporary jazz does not usually share those sensibilities, nor is the term generally used to describe music centered around hard bop or the avant-garde.

Who is the most famous smooth jazz trumpeter?

Chris Botti. Chris Botti (born October 12, 1962 in Portland, Oregon, USA) is a smooth jazz trumpeter. His famous muted trumpet is the same model that was once….

What kind of jazz does Warner Bros play?

Indeed, it will give the harried consumer on the go an hour or so of easy-listening jazz, chosen with some care from a 21-year span of Warner Bros. recordings and ranging from the most recycled Fuzak clichés to borderline R&B and genuine, if always relaxed, stretches of musically satisfying electric jazz.